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Image: Large Alpine Landscape

Photo Credit: photo: R. Lee
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Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/3085

Large Alpine Landscape

ca. 1555-1557
16th century

After Pieter Bruegel, I (aka Pieter Bruegel the elder), Dutch (Flemish), (ca. 1525–1569)

Object Type: print
Medium and Support: Etching and engraving on laid paper
State: Only state
Print impression quality: Very good
Edition: Probably etched and engraved by one or both of the brothers Jan and Lucas van Doetecum (see Hollstein pp. xi–xiv for a summary of their work)
Marks: Signed in plate in image of a stone, lower right: “BRVEGHEL INVE[N] / •H•COCK excudeb.”
Marks: Watermark: No watermark
Bibliography: R. Van Bastelaer, Les estampes de Peter Bruegel l’ancien (Brussels, 1908), cat. no. 8, as after Pieter Bruegel; F.W.H. Hollstein, Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700 (Amsterdam), no. 15 (vol. 4), as published by Hieronymus Cock; A.J.J. Delen, Histoire de la gravure dans les anciens Pays-Bas et dans les provinces belges des origines jusqu’à la fin du XVIIIe siècle. Deuxième parte, le xvie siècle (Paris: Les gravers d’estampes, 1935), p. 62 and plate 25, as by Hieronymus Cock; H. Arthur Klein, Graphic Worlds of Peter Bruegel the Elder. Reproducing 63 Engravings and a Woodcut after Designs by Peter Bruegel the Elder (New York, 1962), no. 8; Konrad Oberhuber, Zwischen Renaissance und Barock. Das Zeitalter von Breughel und Bellange. Werke aus dem Besitz der Albertina” exhibition catalog (Vienna: Albertina) no. 40 and plate 7 (Die Kunst der Graphik, vol. 4); L. Lebeer, Catalogue raisonné des estampes de Bruegel l’ancien (Brussels, 1969), no. 13, reproduced, as by Hieronymus Cock; L. De Pauw-De Veen, Hieronymus Cock. Prentuitgever en graveur 1507–1570 [exhibition catalog] (Brussels: Koninklijke Bibliotheek Albert I, 1970) no. 145; T. A. Riggs, Hieronymus Cock (1510–1570). Printmaker and Publisher in Antwerp at the Sign of the Four Winds, dissertation (New Haven, CT: Yale University, 1971; New York and London, 1977), no. 29, p. 319; Bruegel. Een dynastie van schilders [exhibition catalog] (Brussels: Paleis van de Schone Kunsten, 1976), no. 45, reproduced, as by Hieronymus Cock; T. Gerszi, Landschaftsdarstellung von Pieter Bruegel und Hercules Seghers, Pantheon, vol. 39 (1981), p. 135; Bruegels tid. Nederländsk konst 1540–1620 [exhibition catalog] (Stockholm: Nationalmuseum, 1984–85), no. 79; David Freedberg et al., The Prints of Pieter Bruegel the Elder [exhibition catalog] (Tokyo: Bridgestone Museum of Art, 1989), no. 13, reproduced; R. Van Bastelaer, The Prints of Peter Bruegel the Elder: Catalogue raisonné, new edition translated and revised by S. Fargo Gilchrist (San Francisco, CA, 1992), no. 8; The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700. Part I, The Van Doetecum Family (Rotterdam, 1998), no. 22, reproduced, as by Joannes and Lucas van Doetecum.
Credit Line: Friends of the Davison Art Center funds and Magdalena Wagner Fund, 2001
Accession Number: 2001.17.1

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • landscapes (representations) - Use for creative works that depict outdoor scenes where the picture is dominated by the configuration, visual and aesthetic, of the land, bodies of water, and natural elements. When the ocean or other large body of water dominates the picture, use "seascapes." For images that are more documentary than creative, prefer "views" or "topographical views." For actual areas of land having certain notable characteristics, use "landscapes (environments)." [January 1993 scope note added; related term added. April 1991 descriptor moved; lead-in term added; descriptor changed, was "landscapes"; alternate term changed, was 'landscape'.]
  • mountains
  • valleys (landforms) - Land depressions having a more flattish landscape, with less precipitous slopes, than canyons or gorges. [March 1993 related term added. May 1991 descriptor changed, was "valleys"; alternate term changed, was 'valley'.]

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